An artwork on Galleree from The Metropolitan Museum of Art.
About the artwork
Madonna and ChildDuccio di Buoninsegna
Italian, active by 1278–died 1318 Siena
ca. 1290–1300
Overall, with engaged frame, 11 x 8 1/4 in. (27.9 x 21 cm); painted surface 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm)
Painting
Tempera and gold on wood
European Paintings
Purchase, Rogers Fund, Walter and Leonore Annenberg and The Annenberg Foundation Gift, Lila Acheson Wallace Gift, Annette de la Renta Gift, Harris Brisbane Dick, Fletcher, Louis V. Bell, and Dodge Funds, Joseph Pulitzer Bequest, several members of The Chairman's Council Gifts, Elaine L. Rosenberg and Stephenson Family Foundation Gifts, 2003 Benefit Fund, and other gifts and funds from various donors, 2004
In Duccio di Buoninsegna's "Madonna and Child," we encounter a serene moment captured in rich colors and delicate details. The Madonna, draped in deep green, gazes tenderly at her child, her expression a blend of love and contemplation. The gold background radiates a divine light, enhancing the sense of holiness that envelops the scene.
The child, in soft pink attire, rests in her lap, their connection palpable. His small hand reaches up to touch her face, which suggests a bond filled with warmth and trust. This intimate gesture invites viewers to reflect on the essence of maternal love.
Duccio’s use of line and form creates a gentle yet strong composition, where the contours of their figures seem to cradle each other. The intricate details of the clothing and the serene expression showcase the artist's mastery in portraying emotions, inviting us into this quiet sanctuary of love and devotion.
Overall, the artwork emerges as a timeless representation of peace, urging us to pause and appreciate the tender moments in life.
About the artist
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